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Marcel Duchamp
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ISBN: 9051830637 9004449272 Year: 1989 Volume: 2 Publisher: Amsterdam Atlanta Rodopi


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Marcel Duchamp, artiste androgyne
Authors: ---
ISBN: 2840163942 2840161230 Year: 2021 Publisher: Nanterre : Presses universitaires de Paris Nanterre,

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Cet ouvrage porte sur la relation étroite de l'oeuvre de Marcel Duchamp avec la notion de l'Androgyne, la coexistence des principes mâle et femelle, hérités des mythes anciens de la création. Il porte également sur les idées platoniciennes, les pensées gnostiques, hermétique, et les croyances alchimiques telles qu'elles se trouvent exprimées dans le corpus de l'oeuvre de Duchamp. Il s'agit, dans un premier temps, de présenter le rôle et la signification de l'Androgyne dans les mythes anciens de la création, chez les philosophes grecs, dans la gnose, la philosophie hermétique des alchimistes et la cabale. Dans un second temps l'oeuvre de Marcel Duchamp sera abordée d'un point de vue de la figure « androgyne ». En particulier seront analysées de façon détaillée les deux grandes oeuvres de Duchamp, La Mariée mise a nu par ses célibataires même et Étant donnés: 1º la chute d'eau, 2º le gaz d'éclairage, en nous attachant à l'étude de leurs caractéristiques spécifiquement androgynes telles qu'elles ont été définies dans la première partie.

Duchamp : A Biography
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ISBN: 0805008233 Year: 1996 Publisher: New York Holt


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De bruid van Marcel Duchamp.
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ISBN: 9789021437798 Year: 2010 Publisher: Amsterdam Querido

The exiles of Marcel Duchamp
Authors: ---
ISBN: 9780262042376 0262042371 Year: 2007 Publisher: Cambridge, MA ; London Mit Press

The private worlds of Marcel Duchamp : desire, liberation, and the self in modern culture
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ISBN: 0520200381 0520209036 0585181659 Year: 1995 Publisher: Berkeley Los Angeles London University of California Press


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Marcel Duchamp : étant donnés
Authors: ---
ISBN: 9781846380594 1846380596 9781846380617 1846380618 Year: 2010 Publisher: London Afterall Books

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This volume is an illustrated study that presents French artist Marcel Duchamp's last major art work (coined the Étant donnés) which surprised some in the art world who believed he'd given up art for chess almost 25 years earlier. It is a tableau, visible only through a pair of peep holes (one for each eye) in a wooden door, of a nude woman lying on her back with her face hidden and legs spread holding a gas lamp in the air in one hand against a landscape backdrop. Duchamp worked secretly on the piece from 1946 to 1966 in his Greenwich Village studio. It is composed of an old wooden door, bricks, velvet, twigs, a female form made of pig skin, glass, linoleum, an assortment of lights, a landscape composed of hand-painted and photographed elements and an electric motor housed in a cookie tin which rotates a perforated disc. The author argues that Duchamp's famous last artwork, should be seen not as a summation of his career's body work but as an invitation to endless interpretation.


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The position of Duchamp's glass in the development of his art
Authors: ---
ISBN: 0824027302 Year: 1977 Publisher: New York (N.Y.): Garland


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Marcel Duchamp als Zeitmachine
Authors: ---
ISBN: 388375076X 9783883750767 9071550052 9789071550058 Year: 1987 Volume: nr. 4 Publisher: Köln Utrecht König Museum Hedendaagse Kunst

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Man Ray ; Baj, Enrico ; Martini, Stelio Maria ; Sarenco ; Miccini, Eugenio ;


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Marcel Duchamp’s Fountain : One Hundred Years Later
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ISBN: 3319691589 3319691570 Year: 2018 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Pivot,

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This book marks the centenary of Marcel Duchamp’s Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work’s significance. The author brings together Duchamp’s own statements to argue Fountain’s verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.

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