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Duchamp, Marcel --- Criticism and interpretation --- Addresses, essays, lectures --- Arts, Modern --- Duchamp, Marcel, --- Sélavy, Rrose --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang --- Sélavy, Rose
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Cet ouvrage porte sur la relation étroite de l'oeuvre de Marcel Duchamp avec la notion de l'Androgyne, la coexistence des principes mâle et femelle, hérités des mythes anciens de la création. Il porte également sur les idées platoniciennes, les pensées gnostiques, hermétique, et les croyances alchimiques telles qu'elles se trouvent exprimées dans le corpus de l'oeuvre de Duchamp. Il s'agit, dans un premier temps, de présenter le rôle et la signification de l'Androgyne dans les mythes anciens de la création, chez les philosophes grecs, dans la gnose, la philosophie hermétique des alchimistes et la cabale. Dans un second temps l'oeuvre de Marcel Duchamp sera abordée d'un point de vue de la figure « androgyne ». En particulier seront analysées de façon détaillée les deux grandes oeuvres de Duchamp, La Mariée mise a nu par ses célibataires même et Étant donnés: 1º la chute d'eau, 2º le gaz d'éclairage, en nous attachant à l'étude de leurs caractéristiques spécifiquement androgynes telles qu'elles ont été définies dans la première partie.
Duchamp, Marcel, --- Criticism and interpretation. --- Sélavy, Rrose --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang --- Sélavy, Rose --- Art --- mythe --- ésotérisme --- alchimie --- Duchamp --- gnose --- cabale
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Duchamp, Marcel --- Calvin Tomkins --- kunst --- twintigste eeuw --- Frankrijk --- Duchamp Marcel --- Verenigde Staten --- 7.071 DUCHAMP --- Artists --- Biography. --- Duchamp, Marcel, --- Biography --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose
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Duchamp, Marcel --- Duchamp, Marcel, --- Schippers, K., --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Schippers, K. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- Stigter, Gerard, --- Stigter, Gerard
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Duchamp, Marcel --- kunst --- twintigste eeuw --- kunsttheorie --- Duchamp Marcel --- 7.071 DUCHAMP --- Expatriation in art --- Duchamp, Marcel, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Criticism and interpretation. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose
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Modernism (Art) --- Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- Duchamp, Marcel, --- Criticism and interpretation. --- Duchamp, Marcel --- Criticism and interpretation --- France --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose
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This volume is an illustrated study that presents French artist Marcel Duchamp's last major art work (coined the Étant donnés) which surprised some in the art world who believed he'd given up art for chess almost 25 years earlier. It is a tableau, visible only through a pair of peep holes (one for each eye) in a wooden door, of a nude woman lying on her back with her face hidden and legs spread holding a gas lamp in the air in one hand against a landscape backdrop. Duchamp worked secretly on the piece from 1946 to 1966 in his Greenwich Village studio. It is composed of an old wooden door, bricks, velvet, twigs, a female form made of pig skin, glass, linoleum, an assortment of lights, a landscape composed of hand-painted and photographed elements and an electric motor housed in a cookie tin which rotates a perforated disc. The author argues that Duchamp's famous last artwork, should be seen not as a summation of his career's body work but as an invitation to endless interpretation.
Duchamp, Marcel, --- Duchamp, Marcel --- Haladyn, Julian Jason. --- Criticism and interpretation. --- kunst --- twintigste eeuw --- installaties --- Duchamp Marcel --- 7.071 DUCHAMP --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose
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Duchamp, Marcel --- Theses --- Duchamp, Marcel, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose
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Man Ray ; Baj, Enrico ; Martini, Stelio Maria ; Sarenco ; Miccini, Eugenio ;
Exhibitions --- Duchamp, Marcel --- Duchamp, Marcel, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Exhibitions. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose
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This book marks the centenary of Marcel Duchamp’s Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work’s significance. The author brings together Duchamp’s own statements to argue Fountain’s verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.
Duchamp, Marcel, --- Criticism and interpretation. --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Fine arts. --- Aesthetics. --- Psychoanalysis. --- Culture-Study and teaching. --- Fine Arts. --- Cultural Theory. --- Psychology --- Psychology, Pathological --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Culture—Study and teaching. --- Radio broadcasting Aesthetics --- Aesthetics
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